Elisabeth Eide
February 2002. I switch to
BBC World to get the latest news, a routine I have followed for many years as a
necessary supplement (sometimes corrective) to Norwegian media. A guerrilla
organisation in
Before, a frequently heard expression was to ’smoke out’
the enemy. It is still used, together with the new, more sanitary ones. Smoke out is an expression from the
hunting discourse. One puts fire to one of the entrances of the fox’s hideout,
and thereby forces the fox to escape through the other one. And the fox is a
smart animal: The enemy is tacitly understood to be smart as a fox – and
thereby more respected than an enemy who will be mopped up. The smoke metaphor
does not in the same way imply a negative estimation of the enemy, of the
’unknown Other’.
The dirt (connected to mop, applied to the rebels) on the other hand, or the human
waste/excrements (connected to flush)
has to be cleaned up, flushed out. Between the lines we understand that it is
the pure cleaners, the larger Western ’we’ that has to do the job. The
introduction of these metaphors in international war rhetoric represents one of
several contributions to a representation of the Others
as worthless human beings. Such a dehumanisation is efficient in warfare. And
in this process of spreading the word, reporters may also be seduced.
During the same week BBC
showed a heartbreaking reportage from Bagdhis
province in
In one of BBC World’s own trailers that week – where they
demonstrate their superiority when it comes to reporting from all corners of
the world – just a short fragment of the Bagdhis reportage is cut out: Hunger
is rampant in Afghanistan; ”and now they
are selling their daughters”. It may be read: Oh yes, those barbarians,
this is the way they are. Whereas the
full reportage contextualised the desperate acts of the hunger-stricken
Afghans, the BBC-trailer only showed an irrational deed. With such trailers and
metaphors of cleanliness journalism may contribute to an increased gap between
a presumed us and the ’distant
Others’, communicating their lives as
having a lower value than Western victims or Western élite soldiers.
The exiled Palestinian
Edward Said, writes of an orientalist way
of representing the Other (Said 1995). According to Said this representation is
built on political hegemony. Researchers, writers, travel writers and
journalists who travelled to the world East and South of Europe, represented
the Others as belonging below ‘us’ on an imaginary ladder of evolution. They were despots, we democrats, they
despised the individual and enhanced the collective, while we defended the individual; they
lived in a static and unchangeable past while we were continuously developing, both technologically and
spiritually. According to Said this way of representation also was well fit to
legitimise colonial injustices and military violence.
The Kenyan author Ngugi wa
Thiongo writes that the many denigrating representations of the ‘West’s Others’
contributed to the way in which the Others, in this case African people, saw
their own cultures as a “Wasteland of non-achievements” (Shohat & Stam
1994). If media representation of the non-western Others
are often linked to cleansing operations and 'barbarism', we may glimpse the
contours of two consequences. The Media representations may stimulate negative
self-images among the Others, and dehumanisation may
make it easier to gain public acceptance for a view of the necessity of Others
dying for ‘our’ freedom.
Also in Norwegian journalism there is a hierarchical
tradition in which the ‘non-European Other’ is represented as less ‘developed’,
more threatening, as ‘problematic population growth’, as primitive and
superstitious. It might be labelled a ‘missionary discourse’, since the message
derived from many texts have to do with an ‘us’ having to contribute to ‘their’
enlightenment, as well as material needs. This meets with opposition from more
symmetrical approaches, but it is still an important tradition (Eide 2000,
2002).
The ‘non-European’ human being has from the early
colonial days till our time been described as ‘barbarian’, as a contrast to
‘our’ civilisation and thereby easier to despise. Thus the Other
becomes less human, more abstract, remote and inferior. How did these
representations take shape? Among others by the way the representing and
powerful people may operate with binary oppositions, our classical music against their
folk music (‘ethnic music’), our
art versus their crafts, our religion versus their superstition (animism) (Shohat
& Stam 1994). This perspective of the power of
definition is important for an analysis concentrating on the media
representation of the Others.
Christopher Columbus and his
seafarers returned to
I think there is
more barbarity in eating a live than a dead man, in tearing on the rack and
torturing the body of a man still full of feeling, in roasting him piecemeal
and giving him to be bitten and mangled by dogs and swine (as we have not only
read, but seen with fresh memory, not between old enemies, but between
neighbours and fellow citizens and what is worse, under the cloak of piety and
religion) than in roasting and eating him after he is dead. (English
translation, Shohat & Stam 1994: 82).
Montaigne
was of course referring to the Christian torturers and their barbaric treatment
of the victims of Inquisition, the ones that in the view of the church leaders
were witches, heretics or non-believers, another variety of the ‘clean’ against
the ‘unclean’. Almost twenty years ago I visited a very special exhibition in
Every war to a certain
degree presupposes that the warring parties do not understand or see the
situation of the Other, and that they bar themselves
from the possibility of even slight identification with their potential
victims. This must be true for the terrorists who directed their planes towards
World Trade Centre and Pentagon, and also for the ones who planned the
retaliation against one of the most war stricken peoples of this world. And for
the ones who still plan other wars.
The media may to a certain degree contribute to degrees
of identification across borders, countering the enemy images of the
politicians; or they may strengthen the lack of feeling of coexistence already
existing ‘out there’, among warriors who are taught to look at their
adversaries as non-human. A one-sided focus in the media on what divides ‘us’
and ‘them’ contributes to the ‘Other’ not being seen as an individual. A fresh
example is the strong focus in Norwegian and other Western media on raging
Pakistanis taking to the streets after the first
One
may ask: Were they just more spectacular than the majority, or were they
representative of the population at large? Was this kind of reportage followed
up by interviews with sober-minded Pakistani intellectuals who might have
contributed to the analysis of the situation? Did the audiences learn that
Pakistani men and women are able to articulate themselves in other ways than
shouting and waving their fists? In this case, the media to a large degree seem
to have repeated the ‘horde angle’ from the streets of various Arab capitals so
much applied during the Gulf War of 1990-1991. The Other
is represented as aggressive and irrational, as a shouting, non-reflecting
collective, corresponding to mainstream Orientalist
traditions.
This ‘horde tendency’ in reporting is also linked to the question of who is allowed to speak, and thereby contribute to the definition of a situation through the media. Who is invited to speak by the reporters in a war situation?
When the powerful speak about peace/people
down below know/there will be war/ When the powerful
denounce war/ the draft papers are already written.
During the prelude of the
Second World War Bertholt Brecht wrote this poem. It may be seen as a comment
to the fact that the leaders had to seduce their peoples – among others through
the media – by pretending that the great powers wanted to secure peace on
Earth. Are such seductive measures still necessary? It may rather seem as if
the strong focus on conflict in the media to a certain extent excludes or
marginalises peaceful strategies and the persons who support these strategies.
If most media focus one-sidedly on warfare and articulated, distinct belief in
war and force as The
solution (as opposed to negotiations, pressure and diplomacy), just speaking or
writing about peaceful solutions may be perceived as acts of subversion from
the leftist margins of politics or as naïve tendencies to be disregarded.
Was the war against
New images of the Enemy were
quickly spread after September 11th. In
For the situation in which people live, or are forced to
accept, contributes to they way in which they think. Therefore, it is important
that people who work with journalism, as practitioners
or as researchers, learn to know the premises for other ways of thinking, from
other locations – and that we learn to see the world with other eyes than our
own. More than twenty years ago I was reminded of this necessity when visiting
one of the largest Palestinian refugee camps, outside of
Such an
asymmetrical representation of the value of human lives we witnessed when BBC
on
Modern wars challenge the abilities of the reporters to
look behind the technology of warfare, to look for civilian casualties, both
the ones directly hit by acts of war and the ones that are forced to flee, or
are traumatised or damaged for life in other ways.
Everybody’s right to be
valued represents one challenge; another one is the designations applied when
people are represented. What about terror and terrorism? In the
FAIR (Fairness in Accuracy and Reporting), a network of
media critics, asked MAT whether the bombing of
FAIR on the other hand felt that the only consistent definition of terrorism was that it has to do with planned murder of civilians to obtain political goals, regardless of the killers being supported by a state or not, and regardless of the methods of assassination. But this definition is hardly used by any mass medium, writes FAIR. For if it were, the writers of world history would have to apply terror not only when describing Hiroshima and Nagasaki, but also the U.S. support of a row of regimes in Latin America and the attacks on infrastructure in Iraq – or as a description of both sides in the war between Israel and Palestine.
Or as a
description of several parts of the last war in
One special characteristic
of modern media development is that “what is technology becomes truth”, writes
the editor of Le Monde Diplomatique
(Ramonet 1999). When newspapers and TV channels contribute with war graphics or
represent the war as a Playstation game, we are left calm and safe assured of
‘our’ marksmanship, which may develop into a feeling of facticity. The graphics
are impressive and distinct and make an impression of systematic order.
Technology also influences journalism in other ways. In modern warfare what
Ramonet calls ‘directification’ increases. Incidents (or pseudo-incidents, as
when journalists trigger some warriors to fire their kalashnikovs[1],
or the plain fact that the journalist is
there talking to the camera, to us) are transmitted directly, momentarily,
and thereby create a separate illusion of truth – at the same time as the
direct transmittance partly makes the reporter abundant, since the ‘facts’ may
be transmitted via hi-tech, and less by good old-fashioned legwork.
Everything
is subordinate to the ‘network’. Ramonet also shows how the news anchors, sitting with a “wall of screens” behind their
backs, communicate an impression that “we are everywhere”. And the ones who
“are there” manage a truth of sorts by their mere presence, on behalf of ‘us
here, at home’, tucked inside our safe, not-very-challenged frames of
interpretation.
War and conquest, occupation
and harassment need to be faced by a point of view that works both inwards and
outwards. To understand the present world, we who are based in
And even then, I understood [them]. I couldn't blame them for what they were doing. In fact, if I were the Afghan refugees of Kila Abdullah, close to the Afghan-Pakistan border, I would have done just the same to Robert Fisk. Or any other Westerner I could find (Fisk 2001, for the full article, see elsewhere in this book).
Robert Fisk
is forced to reflect over the fates of these refugees. He tries to put himself
in their place, to enter the thoughts of those who have tried to survive there
for years, and of the new-arrivals, who are brutally traumatised after having
seen their closest kin killed or maimed for life. Any line between ‘clean’ and
‘unclean’ is hard to draw in this case.
Edward
Said writes that the voice of the intellectual is a voice in opposition,
critical of the high and mighty; a voice that consequently needs a restrained
and precise consciousness and a comparative
perspective, so that the victim will not be blamed, which often happens,
while the real powers are encouraged to put their will through (Said 2002).
When one’s own nation and allies are
at war, media researchers and critics need the entire sobriety and critical
attitude recommended by Said. Which questions should then be posed to the media
in such a situation? At least some of the following:
We have been fooled before. Do we learn from experience?
Do
the media learn from the way important facts often drowned in previous wars? Is
it part of the collective consciousness to remember how the warring parties
produced outright lies to gain support. The examples
from the second Gulf war (1991) are well known. In Afghanistan, representatives
of the ‘coalition forces’ have repeatedly denied civilian casualties before
being forced to admit them after evidence has been produced (Herold 2001, Lamb
2001, Parry 2001). The bombing of Al-Jazeera’s house
in
It is also necessary to issue
warnings against special highly-strung reactions towards the war coverage. From
Brasil a message was spread over the Internet in the days following September
11th, indicating that the cheerful Palestinians in the streets shown
on TV was a ten-year-old videotape. This was a false assumption. On the other
hand, Dagens Nyheter (
We do not always know …
Do
reporters – during times when the situation is acute and demands to be first
with an issue are strengthened – have the courage to say that there are a lot
of things they do not know? Some
Norwegian media – at an early stage after September 11th – were
eager to examine their own role in the coverage of terror/war. This signified a
reflexive attitude supporting a critical public sphere against claims of being
unambiguous and clear. But simultaneously we observe that certain media present
as facts ‘information’ which we do not really have access to.
In March and April 2002
Myths of war
Which myths
are able to survive since they fit the ‘frame of truth’ belonging to one of the
warring parties? I shall here mention three central myths from the war in
1. Bombing for women’s liberation. This
has been a crucial part of the arguments for the
On the other hand, saying that the
change of power in
The women being silenced – again: Which
voices were heard in the media at home about Afghan women? A part of a critical
media analysis (and of a dual vision, reflexive journalism) is to see through
the representation of ‘good guys’ and ‘bad guys’. In the war against
Afghanistan President Bush and his allies quickly appointed the Northern
Alliance as “our friends”, and the media did not sufficiently analyse who these
‘friends’ were and where they came from. However, ‘out there’
lived persons who could have told them – if they had been asked. The
radical women’s organisation RAWA, who contributed to
one of the most shown TV-documentaries about the Taliban (Beneath the veil) by secretly videotaping an execution at Kabul
stadium[4],
seemed to lose attention as a source of information regarding the years of mujahideen rule in Kabul, in spite of having first-hand
experiences. RAWA has expressed strong critical views
on the
In general, women’s voices are often
ignored both in peace and war. An American media professor has introduced the
notion “symbolic annihilation” (Tuchman 1978) to illustrate the general marginalisation
of women in the media. This war is no exception. On
2. Accurate targeting: The myth of
surgical accuracy during
3. Humanitarian assistance – stopped by whom? When
did assistance reach the needy ones? A third myth is that during Taliban the
humanitarian aid work was much more complicated than after the
Non-disclosure better than truth?
According
to Aldous Huxley the greatest triumph of propaganda is to kill the truth by
silence. It may well hold true that telling lies is a poorer strategy than
holding one’s tongue on certain issues, simply because a lie is more easily
exposed? An important question, therefore, is what space is allotted to what
exists underneath and behind the daily news. Events and
circumstances, which may contribute to explain acts of war, might easily drown
in the daily routines of press conferences of the powerful and the sorties of
the warriors. This also corresponds with a more general tendency in the media
of clustering, in which the coverage
of one event often becomes so massive that it threatens to overshadow others.
In December 1989 the media coverage of the fight against Ceaucescu and his fall
in
This has to do not only with events,
but also with background information and historical knowledge, that is, with whether
the media should provide for the citizens of a society a foundation for
explanation and interpretation of the events that become news. Some of this
information has found very little attention in the Norwegian press.
Bin Laden and his background: It is more
than likely that bin Laden is one of the main brains behind the terror of
September 11th. But what about the larger scene?
15 out of the 18 suicide bombers were of Saudi Arabian origin. How important is
this fact in a contribution to explain what happened on September 11th?
In Norwegian newspapers we have to a very limited extent read about the
humiliation of Saudi-Arabia represented by the presence of permanent
How important are these historic
events and facts to understand the motivations behind the acts of terror on
September 11th? How was the potential created that made it easy for
bin Laden to recruit young men who are willing to sacrifice their lives and
take with them several thousands of innocents? In the war between
Al Qaida = Taliban? After
September 11th, the media have concentrated little effort on
in-depth analysis of the relationship between the Taliban and Al-Qaida and in-between the Taliban themselves. Bin Laden had
close ties with the supreme Taliban leader Mullah Omar, but several sources
suggest that there were other Taliban-leaders who did not appreciate their
friendship nor the Arab presence and influence in
Do all these people deserve to die due
to their choices, their delusions? Many (also here we do not know the exact
number) ordinary Taliban soldiers have died due to subhuman prison conditions.
Some of them are not Afghans, but this does not necessarily mean that all of
them are members of Al-Qaida. Without nuances the
Background and foreground
Discourse
analytic Norman Fairclough applies a scale between what ‘is there’ and what
disappears in a model for examining media texts. The scale starts with ‘absent’,
via ‘presupposed’ and ‘backgrounded’ – to what is foregrounded. All texts are
combinations of such explicit and implicit meanings (Fairclough 1995:106). Also
in what is ‘not there’ or overshadowed, one may find meaning. The lowest step
is absence. Often, the historical context will be absent from media
representation, for example
The next step is what is presupposed
when addressing a certain audience. This is what the writer and the reader of a
text are supposed to share, agree upon. For example when several media
presuppose that the audience share a certain view of the
This failure results in the military prosecution authority not having sufficient evidence against the individual prisoner to present a valid accusation for war crimes (Dagbladet 24.04.2002).
Implicit in
this innocent sentence there is a presupposition: That all prisoners of
Next step is those events or persons
that are visible, but still backgrounded. A perspective that has been
backgrounded from
And at the top of the ladder: the
perspective that is foregrounded. In Norwegian media, especially after
Norwegian units were mobilised in support of the
Invisible killings: Uranium weapons
To report
on the more invisible and long-term sides of a war represents a special
challenge. The reports on the consequences of the usage of depleted uranium
(DU) during the Gulf war, were filed several years
after the war was ‘concluded’[7].
Some reporters and experts have linked the substantial increase in cancer cases
in the
My primary finding is that, while DU munitions are certainly not comparable to bombs involving nuclear fission or fusion, they are made of radioactive waste and are similar to nuclear weapons in that their effects on human bodies persist long after the end of the battle in which they are used. My coverage of this story removed whatever doubt I may have had. These weapons are cruel and inhumane and should be banned (Tashiro 2001:142).
Defence
politicians and military spokespersons have tried to transfer the burden of
proof to the critics when it comes to eventual dangers caused by the usage of
DU arms. They have emphasised that the soldiers taking part in the Gulf war
were also exposed to other poisonous pollution. Tashiro argues that he has
found health damages also among people working at the factories where these
weapons have been produced. The Norwegian press has to a very limited extent
covered the use of DU weapons. A timely question might be if the burden of
proof should be the responsibility of the warriors – and ought one not to ban
these weapons when the medical consequences of the usage is at least strongly
disputed, that is; let the civilians who do not even know what they may risk,
have the benefit of doubt?
One journalist in
Although it is still denied by some
war officials, it seems more than likely that uranium weapons have been applied
in the war against
The bombing of Al-Jazeera
Philip
Knightley holds the Vietnam war to be the last
‘uncontrollable’ war when it comes to media coverage. Censorship was not fully
in place, it was easy also for young freelancers to travel in
Which media have been considered
‘clean’ in the corridors of the powerful? Which media have been considered
threats? In recent history we have seen how national media have been bombed
during war. The bombing of the Yugoslav TV station in
The
bombing of Al-Jazeera’s house in
BBC’s correspondent says that this
new Pentagon policy increases the dangers of war reporting drastically, since
war coverage often has to do with being near the warring parties. Besides, it
was not only al-Jazeera being threatened by the bomb attack, but several
international TV-stations – German, Australian and Turkish, all transmitting
their stories through Al-Jazeera’s office. Al-Jazeera spokesmen say they
forbade their correspondents every kind of contact with Al-Qaida, but that
they, while Taliban were still in power in
This piece of history sheds light on
the declared and official plan of the
Poverty, oil humiliation
Simplified
‘truths’ always represent misinformation, regardless of where they originate.
Poverty is not the only – may be not even the most important – cause of
terrorism. Lack of prospects for the future may be more relevant, as seen with
the Palestinian suicide bombers. To observe a rich and powerful state in the
Humiliation, personal and national,
may be an underestimated factor in explaining the high proportion of Saudi
Arabian men behind the terror of September 11th. Psychologist Evelin
Gerda Lindner holds that ethnicity is a less important factor behind violence
and war than humiliation. She tells of her fieldwork in
I started talking to people about my experiences – and of theirs. I then understood that they see us from the West as arrogant and collectively responsible for the bad treatment they have experienced. Their messages were clear: “You colonise us, and then you introduce a so-called democracy, which is alien to us. Then you are surprised at seeing dictators seize power. Then you give them weapons, so that they can kill half of us, and then you come here to ‘measure’ our suffering. (Hammersmark 2001)
This kind
of humiliation is, the way the psychologist sees it, an important cause of
political extremism and terrorism. She emphasises how Nelson Mandela has turned
the humiliation of the victim into something positive. But as important it is
to see how the world may avoid situations in which some leaders exploit
feelings of humiliation and of ‘lost future’ to recruit new members of
terrorist networks. These perspectives have not been highlighted much in the
mainstream media.
The ‘great game’ in
‘Our’ soldiers participate
In the
beginning of March 2002 the
What we have seen so far (June 2003)
is not a one-sided patriotic coverage. Critical questions have been raised
concerning what it means to be under American commando and concerning the
extreme secretiveness surrounding the Norwegian participation. But a critical
coverage of the wider context, the new Norwegian war
strategy (part of Nato’s ‘out-of-area’, and also linked to deployment of
Norwegian soldiers in Kyrgystan), is to a large extent missing in the
mainstream press. The stories to be expected, of Norwegian heroic mine
clearers, have been printed, while the Afghan (Other) mine personnel having
long-term contracts (more than three months) and receiving far less salary –
are backgrounded, according to the logic of the ‘Norwegian angle’. In the
beginning the strength of the Norwegian units were underlined without critical
questions by some of the mainstream media, and politicians have not been much
challenged by the reporters.
On
the first day after the news were broken, the story about the Norwegian
contribution in
Globalisation and provincialism?
In May 2002
the Ministry of Defence invited a group of Norwegian journalists for a week’s
press excursion to Kyrgystan and
We live in a part of the world in
which people who want to, have plenty of access to the global-hegemonic media,
CNN or BBC World – and to a great number of other international media. But the
proportion of people turning to these channels regularly is small. We
experience that part of the nuances in the coverage of the ongoing war found in
larger Western media (for example British, German or French press, at times
also The Washington Post or The New York Times - and in the media of
the rest of the world) do not trickle into Norwegian media. A future challenge
for Norwegian media, in the era of globalisation, is to avoid the provincialism
represented by simplification and shallowness. Does the fact that
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[1] Reporter and writer Åsne Seierstad says she witnessed this type of falsification on
several occasions during her stay in
[2] She is no longer a minister, and she was also dismissed as Vice President. At present she is the head of the Afghan Human Rights commission.
[3] According to Aftenposten 18th of March 2002, a group of Saudi Arabian girl students were burnt alive when their boarding school caught fire. The vice and virtue police would not allow them out, since they were not properly clad.
[4] The documentary is produced by the British-Afghan reporter Saira Shah, and was presented three times in Norwegian Public Broadcasting (NRK) during the fall of 2001)
[5] Excerpts from the appeal of Afghan Women’s Network: "Military
actions in
[6] This may be seen as a turning point: From now on the West starts the hunt for bin Laden.
[7] It is of course false to say that this war was ever ‘over’, since
[8] During the weeks between September 11th and the change
of regime in
[9] In an interview with BBC’s Nik Gowing 08.04.2002.
[10] My investigation here is built on electronic search in the archives
of